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Photo by Heshani Sothiraj Eddleston

Em is a poet, editor and Creative Writing tutor. Over the past decade, she has taught in public workshop settings, schools, universities and prisons, and continues to perform her poetry at venues across the UK.

Her first collection, Bird-Woman, was published by Shearsman in 2016 and was shortlisted for the Seamus Heaney Best First Collection Prize in 2017.

 

It’s impossible not to want to read on. Bird-Woman is a powerful first collection whose poems enter the bloodstream and remain.

Ian Seed, PN REVIEW, April 2017

 

Em worked for a number of years as Poetry Editor for Dark Mountain, where she devised and lead-edited Uncivilsed Poetics in 2016. Her work has been commended in the McLellan and Wigtown Poetry Competitions, and shortlisted in the 2014 Bridport Prize. In the same year, she was recipient of a Scottish Book Trust New Writer Award, which included a year’s mentoring with poet, Jen Hadfield. In 2016, her work was selected for the Forward Book of Poetry 2017.

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The 2016 issue of Dark Mountain is just superb. I haven’t run across a book this nourishing in a long, long time. Thank you.

Jan Zwicky, Poet, Philosopher, Editor, Musician

Her first chapbook, Stone, illustrated by visual artist, Mat Osmond, came out in March 2016 with Atlantic Press. ‘Stone’ is a long, narrative poem for two voices. All proceeds from the sale of the book go to Scottish charity, Trees for Life.

Em has a PhD in Creative Writing (ecological poetry) at the University of Glasgow. Her writing preoccupations are with ‘nature’ (birds and horses feature in almost all her poems) and spirituality; in particular, what does it mean to be human during an era of unprecedented ecological, social and economic crises?

Em is particularly interested in embodied practice: how breath, movement and voice inform and engage both writer and audience. She has spent the last four years exploring this with Kath Burlinson, Paul Oertel and Nancy Spanier, and is running inaugural workshops in Embodied Poetry in autumn 2017.

 

Ears buzzing from just listening to the most amazing poem/performance/sound piece by Em Strang.

Colin Herd, Poet and Lecturer in Creative Writing at Glasgow University